This may be the last place you’d expect to find content like this, I’m sure. At the time of this writing, the world is currently stuck in the clutches of the awful Covid19 pandemic. Naturally my our energies are spent on more important things than writing on a niche website. But this particular bit of papal magic was not only extremely interesting, but also quite moving. More importantly, it is living history unfolding before our eyes.
Last week was the Pope’s semi-annual Urbi et Orbi declaration, where he traditionally pontificates on the state of the Church and the world, took place in an emptied St. Peter’s square. After his address, the small number of clergy present performed the rites of Eucharistic Adoration and Benediction. Here, the pope took the ostensorium in his hands, and blessed the whole city of Rome, and perhaps the whole world, with the sacred host. As he did so, the basilica and the surrounding churches began to PEEL with thunderous resounding, while the sirens of the gendarmeria blared in salute. As soon as the pope had finished, the bells stopped and silence again fell over the empty square. It was like watching something from the end of the world.
Also present was a miraculous crucifix which was reported to cure the City during a plague in 1522. The pope reverenced this relic as it was also exposed to the open square, obviously in the hopes that the pandemic will soon end. We shall see what efficacious qualities this rite may bare.
Watch this moment of magic below:
Friday, September 13th
Full ☾ in ♓️
This weekend in the northern hemisphere we were all treated to an auspicious occurrence of a full moon in Pisces. This placement to me indicates a great magnification of spiritual movement, intellectual flow and inward creativity. Retrograde Neptune which governs this lunation may cause it to seem like the spiritual seeker is trying to swim upstream–there is struggle but determination in his efforts.
The day of the 13th, Sage, the priestess of our coven, invited me to join her in a full moon ritual. Despite being tired from all the crazy shit going on in my professional life right now, I decided that a full moon on Friday the 13th just cannot be overlooked. So we gathered!
Here in the south it is still hot at night but a passing tropical storm across the state thankfully provided some breeze and ambiance to the surroundings. This night was full of life as all the trees swayed, the crickets sang and a large and invisible family of frogs were calling out to each other as the moon passed silently overhead. To prepare we set up a working table outside. We took a lot of time before starting anything to ground ourselves and discern what need there was for working under this moon. It would be a night for divination and spirit travel! Not having a proper crossroads to work in, we decided instead to get cross-faded with an inebriating combination of alcohol, cannabis, kinnikkinnik, and the last dregs of my vision potion (the jury is finally out on this BTW. It is very inspiring).
We purified ourselves to start, cast the circle with the LBRP and called the elements together. We opened our ritual by drawing down the power of the moon into our space. Then we took out the Black Mirror. This mirror was built by me, consecrated to the moon, and since then has never touched the light of day. Sage took her dive into the depths of the mirror as I stood watch. By now all the potions and fumes from earlier were keeping me relaxed but deeply focused. I couldn’t tell you what Sage saw in the Mirror. That is for her to tell. But when I went in next, I had a profound, almost psychedelic experience.
My intention when starting this divination was to discern whether there was any hope in the future for the human species. As I opened the veil and entered into the Mirror’s fathomless depths, my mind’s eye briefly caught a glimpse of the anthropological story of homo sapiens from the last major Ice Age, to perhaps a not-too-distant future of human space exploration. But before gleaning too much about my intended question, a cosmic voice interjected…
“You’re asking the most boring question ever”, it said. And suddenly my vision transformed into an ever-expanding, multi-dimensional, fractalizing space. It was a universe beyond our own. It was the world of forms and it was the world of the formless at the same time. This multiverse of possibilities, endless endless combinations, opened up to me like a book in an alien script. “Is this the Askashic record?!!”, I thought to myself. No answer. Only the fast whizzing of ineffable words, images and feelings which were beyond my understanding. It was too much to contain. My mind was spinning and then somehow I spiraled back into my normal time and place, outside the Mirror, and outside still under the light of the moon. The lesson from my seemingly idiotic question? The human condition is an illusion of permanence. My human consciousness is a mere drop of water temporarily separated from an immense ocean of Mind. In some ways this is disturbing. In other ways it is comforting.
After this we had to stand up, move around, stretch and breathe. We then sat down for a mutual astral voyage up to the sphere of the moon, to explore its powers, denizens and structures. But that is a highly detailed story for another time. Finally we set up a small telescope which we used to focus moonlight into a singular point. We took turns charging our ritual objects with this favorable lunar energy, and blessing ourselves with its light. We also prepared a lovely urn of moon water, which we will use in the coming days.
The fullness of this moon also serves to remind me how full my life is. It is a blessing to have the means to explore the path of the spiritual seeker. And it is truly a blessing to have companions to explore the path together.
This is a really interesting archaeological find, and right after I posted my own magical treasure trove. Recently in Pompeii, where excavations have been occurring in one form or another for the past three centuries, there was discovered a casket full of daily-use implements which also included a number of magical artifacts.
Amulets, gems and small objects re-emerge from the excavation of the Regio V. They were related to the female world, used for personal ornamentation or to protect from bad luck. They were found in one of the rooms of the House of the Garden.
Placed in a wooden box, it has been restored and has been brought to its former glory by the restorers of the Laboratory of the Archaeological Park of Pompeii. They were probably objects that the inhabitants of the house could not take away before they escaped.The wood of the box has decomposed and only the bronze hinges remain, well preserved under the volcanic material.
Among the numerous objects found, two mirrors, pieces of necklace, decorative elements made of faïence, bronze, bone and amber, a glass unguentary, phallic amulets, a human figure and various gems (including an amethyst with a female figure and a carnelian with a craftsman figure). In a glass paste is engraved the head of Dionysus, on another a dancing satyr.
The high quality of the amber and glass pastes and the engraving of the figures confirm the importance of the domus owner.
Soon the jewels will be exhibited, with other Pompeian jewels, at the Palestra Grande, in an exhibition that will be a follow-up of “Vanity”, the exhibition dedicated to jewels from the Cyclades and Pompeii, as well as from other sites in Campania.
The full article is at Pompeii Sites
This is a very illuminating “snapshot” of the life of one ancient Roman household on the day of October 24, 79 CE. Perhaps the casket was filled in the chaos of the disaster while the owner attempted in vain to take some of her belongings with her to escape, only to suffer the fate of Vesuvius. Just imagine what archaeological evidence you and I will leave behind for some future archaeologist to discover, 2000 years into the future.
Italian traditional witchcraft, la stregheria, is an amalgamation of centuries of influence from all corners of the Mediterranean. By the Middle Ages, it had been re-planted in the Christian tradition. But its roots are massively ancient–built upon the remnants of the old religio romana, and infused during the days of the empire with elements from Grecian and Egyptian magical systems. I recently came across this clandestine rite intended to transport the magical practitioner to the Italian city of Benevento, known since the 13th century as an infamous gathering place for witches sabbats.
As in other traditions, the crossroads is a typical place where the magician may encounter spirits with whom to do their working. Here he would place offerings to the dead and to the goddess Hecate. Mulled wine and grain, and the meat of a pig respectively. Once offered, the magician summons the goddess and asks that a portal be opened allowing passage between the worlds.
On the ground, he marks out a five-pointed star facing Westward. At each point placing a lit candle, and a skeleton key at the center. Gazing at the key unto the point of trance, gently he blows across each flame three times saying:
Sotto aero e sopra vento
Sotto acqua e sotto vento
Menami la noce Benevento
Then he immediately picks up the key in his left hand, closing his eyes and slowly exhaling. While exhaling, he imagines the star opening as a doorway, allowing himself to enter into and move through the portal. The magician finds himself surrounded by the stars of the night sky, moving through them and flying over the land, the sea and the mountains. He finds a clearing lit by torches, and, exhaling, descends himself to rest near the walnut tree at Benevento. This is the gathering place of the witches who have come to feast and revel with the gods.
The magician, visualizing, sees a banquet table filled with food. Others come to join him. He continues feasting, making merry and observing all the goings-on around him. As torches process away, he sees in the distance an ornate throne sitting at the base of the walnut tree. Upon the throne is seated the Great Sabbatic Goat, the Horned One. The crown of his head is lit with a torch, and this is flanked by two great horns. This is the Lord of Nature, Pan himself. The banqueters gather around the one enthroned to dance, their vigor inflamed by the wine and food. The magician moves himself about, all the while dancing and watching around him as the dancing turns into a Bacchic frenzy.
Suddenly the magician sees a person standing behind the Black Goat, offering a fig to eat. This fig is the symbol of these hidden mysteries. He takes it and eats it, the culmination of this strange communion.
When he has decided the time has come to leave, the magician summons his five-pointed star portal again, and pronounces his enchantment to return:
Sotto aero e sopra vento
Sotto acqua e sotto vento
Portami via da Benevento
Again he perceives the opening of the stellar portal, and, slowly inhaling and lifting his arms aloft, is surrounded by the stars of night, his soul flying swiftly through the air and over the world below. Finally exhaling, his arms slowly lowered to the ground, he opens his eyes to his return back the crossroads from whence he first departed.
“To journey to the walnut tree is to awaken the Primal Conscious, through which the ancient forms reconnect. It is a return to the Old Ones known to our ancestors before the world was reshaped by human minds. In ancient times, the serpent was venerated at the site of the tree. The serpent has always been the revealer of truth, the enlightener, and the guardian of the seed of light. The seed that lies under the protection of the serpent gives way to the grand harvest. Thus are the cakes and wine featured at the Sabbat banquet. For it is here that one comes to know that within, which is of the eternal Gods.” – From To Fly By Night, The Craft of the Hedgewitch
Details of Zuber’s engravings from the 1926 biographical work by Maurice Garçon, La Vie Execrable de Guillemette Babin, Sorciere. These scans are from the Division of Rare and Manuscript Collections at the Cornell University Library.
As mentioned the other day, the annual celebration of Walpurgisnacht culminated in a celebration of the Black Mass of Desecration. It is always fascinating when I attempt any historical religious reconstruction, to put myself into the worldview and mindset of the people whose rites we are attempting to revive. Much of the lore around the Black Mass comes from Inquisitors, priests, and witch hunters, but at its core there is an element of historic truth. It is certain that there were midnight feasts and revels which flipped the “natural” order of the Christian world, and that these feasts were a means of social release for both the clergy/aristocracy and for rural peasants. We hold similar feasts in the 21st century, some ancient and some new. While our 16th century Satanic liturgy was performed in the grandest fashion, and with all the pomp, ceremony and sacrilege prescribed in the ritus missae nigrae, something was missing–my fear.
This time, as I left the church with the consecrated host in my care, I did not panic. When I looked at the wafer of lifeless bread, I did not sense the presence of Christ. When I pierced it I felt no remorse, and when I urinated on it I felt no guilt. Last year, the fear was what made this ceremony the most worthwhile. It seems its original intent, which was to undo my religious brainwashing at the hands of the Catholic church, was effective! I have always believed that magic exists primarily in the mind, and the Black Mass of Desecration has shown how ceremony can change the mind of a believer into one of unbelief. May I remain unshackled by hierophantic chains!
Because of this realization, I see no further need to repeat this ritual again, except if others may benefit the same way I have.
Walpurgisnacht is here again! While chosen as the date of Anton LaVey’s Church of Satan, it has been known for centuries in Europe as Witches’ Night. On that night, the Satanic witches were said to gather in their Sabbats on mountaintops and other savage places to dance, revel and worship the Devil their Lord.
This year, just as we did last year, we will celebrate The Black Mass of Desecration, only now in an even grander fashion. Thanks to the work on this site, as well as the foundation of the new coven, this year’s mass will be larger, more spectacular, and ever more indulgent!
/u/xspikeshadowsx shared this post on the Satanism subreddit the other day. I can’t even imagine the pain or the dedication it would take to withstand scarification like this.
“First they traced the outline with a scalpel, then lifted and cut the skin on the inside of the design, and finally scraped some flesh out to make sure it was even over the whole symbol to promote a nice smooth healing process and clear end result.”
“I wanted the symbol to be as brutal as possible, not only from a design and aestethic point of view, but also the process, what’s more brutal then scar tissue and mutilation, right?
Commitment to the process wasn’t really much of an issue, once I set my mind on something not a lot is going to stop me, and I think that level of determination helped while the procedure was under way. There was no pain relief in any way shape or form, I wanted to earn this symbol, but even saying that, it was one of the most painful experiences of my life.”
My recent trip to London included many points of historical interest, especially the day I spent strolling through the British Museum. I had one object in mind, however, as I was searching through the Enlightenment Gallery, the magical shew-stone of John Dee. This piece of polished obsidian likely came to England after the exploits in Mexico of the conquistador Hernan Cortez.
Dr. John Dee (likely an inspiration for Shakespeare’s Prospero) was known across Europe both as the astrologer for Mary I and Elizabeth I, but also for his spirit work with the notorious Edward Kelley. Together they used their magical expertise to contact the Enochian spirits, whose language and alphabet Kelley scried and Dee transcribed. The Enochian language is said to contain great power and its full meaning remains mysterious even today. Still over the centuries many great magicians used Enochian magic in their work: Crowley, Mathers, and even Anton LaVey.
To look into this same mirror with my own eyes, to see my own reflection looking back through it, was a profound moment in my own life as a student and historian of magic–also as a disciple of John Dee!