Angelic Bodies of Roberto Ferri

NeoBaroque master Roberto Ferri, graduate of the Academy of Fine Arts, Rome. These three examples present Baroque and Classical ideals of the male figure in exaggerated musculature which is dramatically contoured in the chiaroscuro.

Lucifer, 2013. The physical proportions and posing give the impression of La génie du mal
Fallen Angel, 2011.
Cupid Weeps At The Tomb Of Psyche, 2013

Find his virtual gallery here.

Phallic Satyrs, Psykter of Cerveteri, Century V BCE

490-500 BCE: This Attic red-figure psykter (wine cooling vessel) from the necropolis of Cerveteri depicts bearded satyrs in revelry. A satyr falls backwards and balances a cantharos (drinking cup) upon his erect penis. Other satyrs around him pour wine into the cantharos. Other figure groups in the artefact depict other acrobatic satyrs in various states of drunkenness.

It boggles my mind to think that this piece of pornographic pottery is as old as Buddhism.

In red-figure, as the artist would add series of drafts and outlines, certain features like fingers, noses and penises would become long and skinny

Currently located at the British Museum.

Baphomet Rising – A Stained Glass Original

This one of a kind stained glass framed window, “Baphomet Rising” was designed and created by me under my studio Faustus Glass, over the course of 8 months of the pandemic. Over 240 individually hand cut pieces of exquisite Italian glass are joined together in this piece to the glory of the Horned One himself.

This dynamic and vibrant framed work of art features beautiful crystal clear bevels, deep red jewels, and a combination of decadent cathedral and opaque glass fashioned in the Tiffany technique–a gorgeous and lasting statement for the serious collector.

Available for sale in the lower 48 states, for the price of $666.
Update: SOLD. Congrats to the new owner.

Sunn O))) – Why Dost Thou Hide Thyself In Clouds?

Picture walking through a decommissioned church, filled with artificial fog. A pale blue spotlight illuminates the thick air, and the shadows of tall columns and fixtures are blurred just out of sight. The fellow concert-goers amble around looking just as blurred and wraithlike as you do.
The vast echoing chamber, once a place of holy worship, is filled again with slowly building, drawn out meditative chords reminiscent of Fauré or Saint-Saëns. A voice like a dirge emerges out of the haze, chanting words guttural and formless, that can only imply their meaning with the intonations by which they pierce the air….
By the end of a Sunn O))) concert, not only is your soul utterly destroyed, but your eardrums receive the stigmata.

“Why art thou silent and invisible
Father of jealousy
Why dost thou hide thyself in clouds
From every searching Eye

Why darkness & obscurity
In all thy words & laws
That none dare eat the fruit but from
The wily serpents jaws
Or is it because Secresy
gains females loud applause”

– William Blake

19th Century Spirit Kettles

These highly sculptural 19th century alcohol burning kettle/warmers are of Russian Imperial origin. Made of wood, bronze and copper, these two specimens feature fantastical medievalized basilisks holding a teapot over an alcohol burner. The grip and other functional points are stylized with floral motifs and grotesques. The large curly tail holds up the burner.

This specimen found at the Museum of Samovars & Bouillottes, Grumant, Russia

The Sorceress, Jan van de Velde, 1626

Quantum malorum clausa nullo limite Cogit libido, quamque dulci carmine Purissimas mortalium mentes rapit Furias in omnes, sed cito quam fallimur. Vitam brevem breve gaudium Mors occupat momentulum quod ridet, aeternum dolet. 

“How many evils does Lust command, in the small secluded margins; who with enchanting spell the pure minds of mortals does subdue, and in everyone induces rage, but quickly each is deceived. Death, seizes fleeing Life and brief joy. He laughs for a moment, and forever despairs. “

This engraving by Jan van de Velde depicts a witch as thought of during the height of witchcraft hysteria in Europe. The bare-breasted wild woman stands proudly in her Circle of Art, while demons surrounding her wait to do her bidding to summon some misfortune. All around her are the tools of her craft: the grimoire, the diviner’s cards, flasks of potions, a horn of herbs and a wand, and the goat which she undoubtedly flew in on.

The witch at her cauldron, sets upon some foul brew with the aid of her demon familiars.